| Releases - Solowork > Rooms |
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| Title: |
Rooms |
| Releasedate: |
2001 |
| Label: |
Arya-Amplexus, Italy |
| Format: |
3CD Box |
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| Tracklist: |
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01: |
The Beginning of Circle |
06:00 |
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02: |
Far Out |
06:54 |
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03: |
The Trip of Thoughts |
09:32 |
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04: |
Contemplating |
08:51 |
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05: |
Unreachable Horizon |
06:14 |
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06: |
A Deeper Depth |
10:31 |
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07: |
Visions of a Shaman |
08:12 |
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08: |
Darker Dreams |
03:42 |
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09: |
Nightwalk |
07:11 |
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10: |
Dreamfield |
06:20 |
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Total: |
- |
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| The music is dedicated to Gabriele
von Hardenberg & Werner Classen. |
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| All music composed, performed and
produced by Amir Baghiri. Recorded and mixed at the Bluebox (Lemgo, Germany between
1996-2001) Digital editing by Amir Baghiri and Jeremy Arenberg at Ambience 1. Mastered by
Thomas Westheim at Ambience 1, Bielefeld-Germany ©Amir Baghiri 1996 |
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Amir Baghiri:
addetive, fm, FFT, granular, Physical-modelling, subtractives & spectrals, soundrooms,
processors programming and ambiente creating, radio waves & vocoding, various
percussions, rhytmprogramming & groove creating, gongs, tibetan chimes & tas
(native iranian singing bowl), powerslide & didgeridoos, ney, ocarinas and panjab clay
flute, bullroarer, spiritcatchers, stones & distant voices. Northern ambiente and
nature athmos was recorded on a tascam tapedeck in north cap Norway in sep 1989, edited at
Bluebox in 1999 by Amir Baghiri.
Guest artists: Mario Konrad, Jim Cole, Kåre Råbu, Malek Halime,
Gabriele von Hardenberg. |
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| Tracklist: |
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01: |
Big Bang |
07:24 |
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02: |
Timeslices |
06:03 |
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03: |
Little Green Men (LGM) |
08:48 |
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04: |
Turning the Tide |
24:05 |
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05: |
Expanding Room |
13:02 |
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06: |
Open Spaces |
11:19 |
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07: |
Nowhere like Home |
03:26 |
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Total: |
- |
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|
| The music is dedicated to Gabriele
von Hardenberg & Werner Classen. |
|
| All music composed, performed and
produced by Amir Baghiri. Recorded and mixed at the Bluebox (Lemgo, Germany between
1996-2001) Digital editing by Amir Baghiri and Jeremy Arenberg at Ambience 1. Mastered by
Thomas Westheim at Ambience 1, Bielefeld-Germany ©Amir Baghiri 1996. |
|
| Amir Baghiri:
addetive, fm, FFT, granular, Physical-modelling, subtractives & spectrals, soundrooms,
processors programming and ambiente creating, radio waves & vocoding, various
percussions, rhytmprogramming & groove creating, gongs, tibetan chimes & tas
(native iranian singing bowl), powerslide & didgeridoos, ney, ocarinas and panjab clay
flute, bullroarer, spiritcatchers, stones & distant voices. Northern ambiente and
nature athmos was recorded on a tascam tapedeck in north cap Norway in sep 1989, edited at
Bluebox in 1999 by Amir Baghiri. |
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| Tracklist: |
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01: |
Entering the Underworld |
07:19 |
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02: |
Creeping Emptiness |
10:06 |
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03: |
Interlude |
05:02 |
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04: |
Patterns out of Chaos |
01:58 |
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05: |
Airtribes |
05:10 |
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06: |
Eyes of Stones |
03:31 |
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07: |
Liquid Cave |
06:54 |
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08: |
Touching the Deepend |
17:30 |
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09: |
Where it all Ends |
09:40 |
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10: |
Silent Room |
01:01 |
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Total: |
- |
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|
|
| The music is dedicated to Gabriele
von Hardenberg & Werner Classen. |
|
| All music composed, performed and
produced by Amir Baghiri. Recorded and mixed at the Bluebox (Lemgo, Germany between
1996-2001) Digital editing by Amir Baghiri and Jeremy Arenberg at Ambience 1. Mastered by
Thomas Westheim at Ambience 1, Bielefeld-Germany ©Amir Baghiri 1996. |
|
| Amir Baghiri:
addetive, fm, FFT, granular, Physical-modelling, subtractives & spectrals, soundrooms,
processors programming and ambiente creating, radio waves & vocoding, various
percussions, rhytmprogramming & groove creating, gongs, tibetan chimes & tas
(native iranian singing bowl), powerslide & didgeridoos, ney, ocarinas and panjab clay
flute, bullroarer, spiritcatchers, stones & distant voices. Northern ambiente and
nature athmos was recorded on a tascam tapedeck in north cap Norway in sep 1989, edited at
Bluebox in 1999 by Amir Baghiri. |
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Review 1:
"Rooms" is a three CD-set tribal minimalism from Amir Baghiri. The
set has three distinct themes - one for each cd - that are interconnected. The CD's are
subtitled Inner Rooms, Real Rooms and Spaces in Between respectively.
"Inner Rooms" refers to the chambers within the self. Amir has
fashioned some expansive minimalism replete with experimental influences and ethnic
subtleties. There is also a guest appearance by overtone singer Jim Cole. Jim's vocals
enhance the subtle rhytm and deep drone of "The Trip of Thoughts" This disc is a
journey in and of itself. It is also the beginning of a much larger journey and it sets
that stage quite effectively.
"Real Rooms" is - DUH! - a reality check. From the singing
bowls of "Big Bang" through the experimental textures of "Timeslices"
and the gentle atmospheres of "Nowhere Like Home" this cd has an organic
presence. The organic atmospheres add the unique touch. This leg of the journey serves to
ground the listeners.
"Spaces in Between" maintains integrity with its double
entendre. The first - and most obvious - meaning is a reference to the physical spaces
between rooms. Amir's more subtle intent is to define the crossover between the
emotional/spiritual existence and the physical/intellectual self. Amir is more concerned
with the intangible spaces. This disc ties the first two discs together in the form of
holistic integration of the self. The expansive atmospheres are perfect for meditating and
discovering the symmetry of the heart, soul, mind and body. The organic textures and
tribal influences create the vehicle for self-discovery. Amir has really come into his own
of late. This is an exciting development inhis maturation as a composer and performer.
Assuming that he continues to develop apace, the sky is the limit!
© Jim Brenholts
Preview2:
Again a cd-box from this sympathetic German/Iran-based ambientmusician, filled with 3
cd's, released in a strictly limited edition of 500 copies. The first pieces and ideas of
this music were born in 1996, but have remained in Amir's mind all that time, until it was
time to finish this special project. The subject Rooms is put in 3 dimensions, and even
heads to a philosophical point of view while listening. Rooms is really music the listener
should absorbe.
CD 1 "Inner Rooms" (73:58) is a heavy one: it opens with 6
minutes of didj before it flows into a strange landscape of dense ambienttextures within
spectral voicing of Jim Cole and a broad variety of ethnic percussions and effects.
CD 2 "Real Rooms" (74:23) opens the gate with the dense
atmospheres of Big Bang, then drifts in a strange ongoing passage with shifting
soundlayers from both organic and electronic nature. This could be the soundtrack for a
shamanic ceremony.
And then we reach CD 3 "Spaces in Between" (68:22), of which
the composer himself says to be his favorite: a cave without a bottom. And yes, this is
great music that succceeds to go underground. Vast layers of shifting and burning
soundscapes take you on a trip into subconciousness where magic takes over. Music that
lingers in the high-quality soundscape-tradition, but what else can you expect using
tracktitles such as Airtribes, Eyes of Stone or Liquid Cave. This 3rd cd really hits the
ceiling, an absolute beauty by all means.
"Rooms" offers a very sophisticated production to an outstanding collection of
high-quality ambient that should be suitable for all those who want to take a further step
into the Deep....
© Bert Strolenberg
Klem Magazine
August 2001
Review3:
Stepping into CD One, a.k.a. Inner Rooms (73:58) one is immediately
surrounded by growling didge swirls of The Beginning of Circle and subsequently Far Out's
ethnodrone-and drum. Jim Cole's spectral voice rings out against mutations of itself in
scary-then-soothing The Trip of Thoughts. Eerie beauty gleams into the active void of A
Deeper Depth where creepy slitherings accent the night, though with all its frighteningly
disjointed vocal fragments, Darker Dreams must be the "padded" room. Eeek!
Fortunately, the falling curtain of Dreamfield unfurls on billowing gusts which make
everything right again.
CD Two enters Real Rooms (74:23), beginning with Big Bang's droning
gongs, which are indeed big and bang into the hazey distance. Turning the Tide (24:05)
does so on lengthy strands of keening radiance and warbling deep-space textures;a
sometimes irritating high monotone is undersored with billowing emulsions. The glimmering
glare of Open Spaces overlays soft murmered voices. Nowhere Like Home breathes easily (and
vastly... though comparatively breifly) on warm, gusty updrafts.
Spaces In Between (68:22) a.k.a CD Three seems to dwell in rooms without
walls... beginning with Entering the Underworld and Creeping Emptiness nearly every track
simply expands from horizon to horizon in organically gaseous wonderment. Appropriately
titled, the gentle sweeps of Where It All Ends closes the disc (though the liner notes
refer to a tenth track, Silent Room, which is not on the CD, but rather in your listening
space.)
Proving himself a master artchitect of sound, Amir Baghiri's Rooms encompasses a
lot of ground... from earthy/indigenous to unearthly/ethereal. The only reason there's a
minus attached to the A- is that the whole construction could have been condensed into a
2CD set of A+ material.
©David J Opdyke (www.ambientrance.org) |
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